The story of the Bloody Chamber follows the narrative of a
young girl who marries a mysterious Marquis who attempts to murder her; however
she is rescued by her mother who shoots the Marquis thus saving her daughter.
One of the main themes of this short story I believe to be
the negative impacts of capitalism and the upper classes. In example, the
narrator is shown to be marrying the Marquis for the financial security rather
than her feelings which is seen in the quote ‘I’m sure I want to marry him’
when she is questioned if she loves him or not. This presents the upper classes
in a negative light as they transform a ceremony such as marriage (which is traditionally
associated with feelings of love) into a
financial deal rather than the traditional meaning. This links into the Gothic
theme of entrapment, as the narrator is entrapped within the relationship for
financial reasons, rather than her own choice. Furthermore, the fact that the
upper class male (the Marquis) is the one that is seen to be ‘saving’ the
narrator from poverty he is seen to be the more powerful character in the story
due to his financial situation. Also, the narrator is taken from a world that
is not said to be negative, into the upper class world that almost leaves her
dead. This questions the reader’s ideas surrounding wealth and the quality of
life that the members of each social class receive as they automatically presume
that due to her lower status she is existing within a ‘worse’ environment but
it is revealed in the story that she lives a superior life when she does not
have wealth.
Aspects of Marxism are also evident within this text, especially references to Karl Marx’s theory of false consciousness, the idea being first conceived but then named and developed by Engels. This can be seen when the narrator ‘faints’ and reawakens in a far more alert and ‘awakened’ sense. This could be a reference to the narrator breaking through the false consciousness and become aware to the class oppression that she is suffering at the hands of the Marque, this is also when she becomes aware of the actions that she must take in order to try and remain alive. This also provides a link to the Gothic theme of entrapment, however within this part of the text the narrator becomes aware of this entrapment and then begins to try and escape it.
Aspects of Marxism are also evident within this text, especially references to Karl Marx’s theory of false consciousness, the idea being first conceived but then named and developed by Engels. This can be seen when the narrator ‘faints’ and reawakens in a far more alert and ‘awakened’ sense. This could be a reference to the narrator breaking through the false consciousness and become aware to the class oppression that she is suffering at the hands of the Marque, this is also when she becomes aware of the actions that she must take in order to try and remain alive. This also provides a link to the Gothic theme of entrapment, however within this part of the text the narrator becomes aware of this entrapment and then begins to try and escape it.
Violence and sex are two themes that intertwine themselves
within the bloody chamber, these can most clearly be seen in the quote from the
Marquis ‘"There is a striking resemblance between the act of love and he
ministrations of a torturer" these shows that the Marquis sees the
act of sex and murder as the same or a similar thing. The Marquis is seen to be
in a routine of marrying a girl, having sex with her and then killing her, he
sees all these actions as a single thing. Thus, this could be interpreted to
show the connection between sex and violence within this short story. This links
to the gothic theme of transgression as it links together two themes that would
not normally be put together, but instead blends them together (this theme can
also be seen in different stories within the collection of The Bloody Chamber).
Female objectification is also a key theme within The Bloody
Chamber (and throughout all the different stories) mirrors are a key contributor
to this objectification of women. For example, the first time that mirrors are
seen in The Bloody Chamber is within the bedroom seen in the quote ‘surrounded
by so many mirrors’. These mirrors then reflect her simply as a pornographic image,
thus objectifying her as a simple sexual image. The fact there are multiple
mirrors that provide the same reflection shows how changeable she is and she is
simply ‘another’ image rather than seen as an individual thus furthering her
objectification.
Furthermore, objectification is seen in the planes that the Marquis has for the narrator. He plans to turn her into a literal object for his own personal display within his ‘bloody chamber’ this is reflective of the patriarchal society, as he does not just kill and take control of the females within his life he also intends to construct his elaborate displays of these dead bodies, thus showing that he craves not only power over the women when they are alive, but also when they are dead.
Furthermore, objectification is seen in the planes that the Marquis has for the narrator. He plans to turn her into a literal object for his own personal display within his ‘bloody chamber’ this is reflective of the patriarchal society, as he does not just kill and take control of the females within his life he also intends to construct his elaborate displays of these dead bodies, thus showing that he craves not only power over the women when they are alive, but also when they are dead.
In conclusion, the Bloody Chamber has many different themes
which are highlighted throughout the text. Many of the other short stories that
exist within the collection also focus on these themes; however the Bloody
Chamber seems to contain the most of these themes.
I like this.
ReplyDeleteI wasn't initially convinced by your decision to go with Marxism but you argue your case well and pick out apt references, I particularly like the interpretation of the fainting scene. You may wish to consider the significance of what she does with the money once the Marquis is dead.
Could the violence and 'death' associated with sex not also be connected to Marxism? A woman/girl is only of any value if she is pure, as soon as she has lost her virginity her value to her husband is gone, she cannot be independently wealthy and holds no tradable value once deflowered. This would then better connect to your final point on objectification.
Well done, another big step forwards in terms of your writing.